Description: This sculpture narrates separation—an incomplete touch between two wooden forms, marked with shards of memory. One figure seems to be departing, the other reaching. Here, kindness is no longer an act, but a fading trace.
The sculpture presents two elongated wooden figures suspended in a shared trajectory—not quite in embrace, yet not entirely apart. They exist in the delicate in-between: the edge of holding on and letting go. Their slender, fragile forms convey a sense of lightness and vulnerability—capturing a fleeting moment of contact. Set against a flat, dark wooden backdrop, the composition contrasts motion with stillness; a visual metaphor for time holding memory.
Theme and Hidden Narrative
This work is about the moment when kindness is no longer a presence, but a memory. An incomplete gesture, not consummated in an embrace, but marked by longing. Kindness here is not an act—it is the echo of one. The sculpture evokes the lived experience of warmth that now belongs to the past—not through violence, but through a gentle, aching distance. The title encapsulates this beautifully: “When Kindness Drew Away” is not a sudden rupture, but a slow and silent departure.
Materials and Emotional Texture
The pairing of natural wood with broken ceramic fragments suggests both nature and memory. The wood carries the form of life; the ceramic pieces—colorful yet cracked—are tokens of the past. These figures seem to carry memory within them. The color is not painted on; it’s embedded in the wood—as if memories are stored within the body, no longer to be relived, only remembered.
Emotional and Psychological Impact
This is not a sculpture that demands immediate attention. It whispers. The feeling of incompletion, of absence, of drifting away lingers quietly. It doesn’t ask the viewer a question—it evokes a memory. Of something deeply human, a moment of kindness that once was, but no longer is.
Final Reflection
When Kindness Drew Away is not just a sculpture—it is an embodied experience. A work that speaks of loss, not through rage, but through stillness. Not through declaration, but through echo. Here, the artist doesn’t just recall memory—he rebuilds it, out of wood, ceramic, and silence
