A tall, elongated form — resembling a finger or a pillar of fate — stands encased within a wooden frame. Chains extend from the top down to a central organic mass, evoking a fetus or pre-formed entity, suspended and bound. *On the Finger of Fate* explores the inescapable structures that precede consciousness, autonomy, even existence itself. These chains are not our choices, but inherited scripts: genetics, class, geography, tradition — the forces that sculpt us before we know ourselves.
